Rare, beautifully framed 1907 Collier's magazine cover by Sarah Stilwell

$290.00

Illustration title:"Little Red Riding Hood"
    Sara Stilwell 
    June 15, 1907 issue
    Vol XXXIX No 12

IMAGE INFORMATION
    Image Size: H 15.00” x W 11.00”
    Matted & Framed:  H 22.00” x W 18.00”
    Framed Price: $290.00  
    Whiteglove handling and shipping: $38.00

n 1902, SS received a commission from Century Magazine to illustrate Josephine Daskin's poem, "Christmas Hymn of Children." The request was for an image conveying the mood of the poem and a graphic to embellish the text. Readers of Collier’s December issue did not know they were viewing an artistic transformation. In the halftone B&W lithograph that appears in this magazine, the artist has dropped the wooden form that defined her work in 1898. In its place, she is exploring the inner life of her subjects. This was, of course, what Pyle had encouraged her to do.

      The following year she proved she had completed the transformation of her art and mastered Pyle’s approach. She did this in a pictorial essay which appeared in St. Nicholas's December 1903 issue. The magazine’s pace-setting editor, Mary Mapes Dodge, published half a dozen of SS’s drawings in a piece called “Happy Days.” In these pictures, SS softened her compositions and highlighted her characters.

      There and thereafter, SS’s images reflect the styles of her female classmates far more than they do the style of her instructor. "Design” becomes a common descriptor in discussions of her work. She is frequently complimented for her interpretation of the “Art Nouveau” trend that was influential in the early decades of the 20th century. These characteristics of mature style reflect the cross-pollinations that were constantly occurring in the community of artists Pyle gathered around him. SS’s instructor no doubt approved of her artistic development because in each picture SS succeeded in expressing an alluring new idea.

    1904 was, as we now say, a breakout year for Sarah Stilwell. Her connection with Mary Mapes Dodge strengthened during a second commission, this one to illustrate a new issue in Dodge’s Rhymes and Jingle series. SS's 1907 cover illustration can be seen as a step in a transition that carried from the representationalism she learned under Howard Pyle, through the colorful world of children she encountered in the Plastic Club of Philadelphia, into her own mature artistic style, which focused on the innocence of children and happiness.

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